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Feature

A news item by ArtThrob Editors

Three artists, Three weeks: ARTTHROB + KRONE Group Artist Residency

A feature by ArtThrob Editors

Constellations: An interview with Alexander Richards and Igshaan Adams on Peter Clarke’s solo ‘The...'

A news item by Artthrob

A New Chapter: Zeitz MOCAA announces Elvira Dyangani Ose as Artistic Director

A feature by ArtThrob Editors

Staying Close to our Roots: A Conversation with the Inaugural KZN Art Fair

A feature by Sandra Dodson

Paivapo (There once was …): A solo exhibition by Pyda Nyariri at the AVA

A feature by ArtThrob Editors

Winter Warmers: ArtThrob’s Reading List

A news item by ArtThrob Editors

MTN x UJ New Contemporaries: Simnikiwe Buhlungu takes home the Award

A feature by ArtThrob Editors

Structure and Mass: Unathi Mkonto’s ‘If Joburg had a beach, who would go?’

A news item by ArtThrob Editors

The National Arts Festival: 2026 Programme Highlights

A news item by ArtThrob Editors

The Fundação Bienal de São Paulo: Curatorial Team for the 37th Bienal de São Paulo

A news item by ArtThrob Editors

Justice Demanded: FoJAG & JHF Launch Legal Action to Restore Lawful Governance at JAG

A feature by Keisha Jacobs

1993 – now: A History of South Africa’s Participation at the Venice Biennale

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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